The creative mind : From algorithms to extended subjects.
Sábháilte in:
| Príomhchruthaitheoir: | |
|---|---|
| Rannpháirtithe: | |
| Formáid: | Alt |
| Teanga: | Béarla |
| Foilsithe / Cruthaithe: |
2023.
|
| Ábhair: | |
| Clibeanna: |
Níl clibeanna ann, Bí ar an gcéad duine le clib a chur leis an taifead seo!
|
MARC
| LEADER | 00000nab a22000007a 4500 | ||
|---|---|---|---|
| 001 | 20240403145138 | ||
| 003 | BR-CrsFAEV | ||
| 005 | 20251017152253.0 | ||
| 008 | 240403t2023||||it fr|p|||||||||||||eng|d | ||
| 022 | |a 1121-2179 | ||
| 040 | |a BR-CrsFAEV |b por |c BR-CrsFAEV | ||
| 041 | 0 | |a eng | |
| 100 | 1 | |a Di Francesco, Michele, |d 1956- |9 14702 | |
| 245 | 1 | 4 | |a The creative mind : |b From algorithms to extended subjects. |
| 260 | |c 2023. | ||
| 300 | |a p. 17-34 ; | ||
| 520 | 3 | |a We propose a journey into creativity in three stages, all three of which are inspired by our main research interests, which are primarily related to the philosophy of mind. 1) We characterise the notion of creativity in terms of non-algorithmicity – and not in terms of the metaphysics of mind. 2) Based on point 1, we give relatively unusual examples of creative works. 3) Among the possible subjects of creativity, we emphasise ‘extended subjects’, referring to ideas from the recent ‘extended mind’ debate. | |
| 546 | |a Artigo em inglês. | ||
| 650 | 4 | |a Criatividade. |9 14703 | |
| 650 | 4 | |a Algoritmo. |9 14704 | |
| 650 | 4 | |a Senso. |9 13327 |x Bom Senso. | |
| 650 | 4 | |a Linguagem. |9 14695 | |
| 650 | 4 | |a Matemática. |9 14705 | |
| 650 | 4 | |a Mente. |9 14070 |x Extensão da mente. | |
| 700 | 1 | |a Tomasetta, Alfredo, |9 14706 | |
| 773 | 0 | |0 23557 |9 27887 |d Roma : Armando, 1992- |o 17885 |t Acta philosophica : |w (CaOOAMICUS)000000025369 |x 1121-2179 |g 2023 - fasc. 1 | |
| 942 | |2 udc |c AC | ||
| 999 | |c 25161 |d 25161 | ||